About

Holly is a performer of early flutes and percussion, internationally active as a musician, ensemble director, and scholar. Her research focuses on the transitional transverse flute at the beginning of the 16th century and music during the reign of Kaiser Maximilian I.

A passion for connecting the public with the wonders of early music led her to become the managing director of ReRenaissance – Forum Frühe Musik in 2023, an arts organization in Basel, Switzerland, which plans and presents new monthly concerts and a biannual festival, all dedicated exclusively to music before 1600.

Holly has been invited to perform in England, the USA, Switzerland, Austria, Italy, Germany, France, Finland, and Kosovo, and she relishes the many opportunities to partner with other artists in Basel's vibrant early-music scene. She directs Zweigulden, focusing on repertoire around 1500 and the historical flute-and-drum duo, and co-directs Ensemble Parlamento, which began as a group of friends having Friday night Machaut parties in her living room in 2021; the following year, they won the Vier Jahreszeiten prize at Schola Cantorum Basiliensis.

Read Holly’s interview with Thomas Christ in December 2023

EDUCATION

Holly studied medieval and Renaissance music performance at the Schola Cantorum Basiliensis in Basel, Switzerland, completing a master's degree in 2022 with Johanna Bartz and Dr. Marc Lewon. Her research under the supervision of Dr. Martin Kirnbauer focused on the evolving transverse flute at the turn of the sixteenth century, its ensembles, and its political symbolism for Maximilian I (see link to thesis below). Liane Ehlich, Mara Winter and Norbert Rodenkirchen, as well as Catherine Motuz on improvisation and Gabriele Miracle and Enea Sorini in percussion have also shaped her approach to performance.

A native Californian, Holly majored in music performance and philosophy at Wheaton Conservatory of Music in Illinois. She then took on the role of Artist-Educator at Madison Creative Arts Program in Wisconsin, preparing interdisciplinary music lessons while studying topics like educational psychology and strategies of inclusion in the instrumental-music-education certification program at the University of Wisconsin-Madison.

With over twenty years of experience in teaching music lessons, Holly is a passionate promoter of communal music-making, leading her to co-found and direct the independent, non-audition Oakhurst Community Choir in Decatur, Georgia, USA, before moving to Switzerland.

Os pecadores todos loarán (Cantiga de Santa Maria 240), MS E1, fol. 218v (ca. 1284)

Hartmann Schedel’s World Chronicle (Nuremberg: Anthonien Koberger, December 23, 1493), fol. 187v. Universitätsbibliothek Basel, UBH EA I 12.

Papers and Presentations

Holly’s passion for music education at all levels has extended into lessons, lectures, workshops, papers, and presentations.

“Hearing War: Sound, Conflict, and the Belliphonic in the Early Modern World.” Round Table Presentation and Discussion at the Medieval and Renaissance Music Conference (MedRen), Newcastle University, Durham University, and Northumbria University, England; June 30–July 4, 2025.

“Kaiserisch: The transverse flute and drum of the Landsknechte in the art of Reformation Augsburg.” Musik - Stadt - Augsburg: Zwei Jahrtausende klingende Geschichte, International Conference, Augsburg University, Germany; September 18–20, 2024 (publication forthcoming).

“The Nibelungenlied: Following the trail of an epic poem.” Medieval Music in the Dales, Bolton Castle, England; September 15, 2024.

“Build-Your-Own Estampie” Workshop. Medieval Music in the Dales, Bolton Castle, England; September 14, 2024.

“Music of the Landsknechte (Lecture-Recital).” Mini Study Day on Renaissance Military Flutes (organized by Boaz Berney – Historical Flutes). Schola Cantorum Basiliensis, 5-001. March 13, 2024. Invited presentation.

Music of the 16th-century Landsknechte: Maximilian’s Military Flute and Drum (Lecture-Recital).” Hörsaal der Musikwissenschaft / Philosophicum (organized in cooperation with the Institut für Musikwissenschaft). Johannes Gutenberg-Universitaet Mainz, Germany. 20. November 2023. Invited Presentation, accompanied by Philipp Wingeier.

“On Battlefields and in Frauenzimmer: Contexts of Maximilian’s Flute-and-Drum Ensemble around 1500.” Poster presented at: Medieval and Renaissance Music Conference (MedRen) 2023; 24.–28. July 2023; Bavarian Academy of Sciences and Humanities, Munich Residence, Munich, Germany. Awarded MedRen 2023 Poster Prize, 3rd place.

Scarborough, Holly. “Picturing the Flute of Maximilian I: A Study of the Transverse Flute and its Symbolic Use as a Political Instrument in the Mummeries of Freydal. Master’s thesis, Fachhochschule Nordwestschweiz, 2022.

Instruments

Early music performance and research is reliant on competent and creative instrument makers, who use a mix of surviving instruments, written sources, iconography, and experimentation to refine their craft. To honor their work and equip others to find new instruments, I’ve listed my instruments below.

Medieval flutes

Medieval flute in G, maple, 440 Hz, Giovanni Tardino, 2022
Medieval flute in C, maple, 440 Hz, Giovanni Tardino, 2022
Medieval flute in D, maple, 440 Hz, Giovanni Tardino, 2022
Medieval flute in D, maple, 440 Hz, Giovanni Tardino, 2019

Renaissance flutes

Nova Zembla 1596 flute, maple, 440 Hz, Boaz Berney, 2023
Renaissance discant flute, maple, 415 Hz, Giovanni Tardino, 2020
Renaissance tenor flute, boxwood, 440 Hz, Giovanni Tardino, 2020
Renaissance tenor flute, maple, 415 Hz, Giovanni Tardino 2018

Other flutes

One-hand pipe in D, 440 & 415 Hz, Mark Binns, 2024
Double flute in D and G, olive, 440 Hz, Giovanni Brugnami, 2022
One-hand pipe in C, 440 Hz, Giovanni Brugnami, 2021
One-hand pipe in D, 440 Hz, Jean-Daniel Talma, 2021
Native American flute, 440 Hz, 1999

Percussion

String drum, Serge Cladères, 2024
Tamburelli, Paolo Simonazzi, 2023
Tabor, Miquel Tugores, 2023
Renaissance side drum, Massimiliano Dragoni, 2023
Tabor, Ermanno Vignati, 2021